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NOWADAYS EVEN GLITTER HAS ITS PRICE

NOWADAYS EVEN GLITTER HAS ITS PRICE

rumi2

NOWADAYS

EVEN GLITTER HAS ITS PRICE.
Actor director producer mentor & original member of the rag-tag acid-drenched gender-bending Cockettes (1970-1972) James Bartlett aka Rumi Missabu continues to keep the spirit alive with a myriad of current projects all on a shoe-string budget at best and needs your help in supporting the following *RUMIPALOOZA extravaganza August 29th @ Ohmega Salvage in Berkeley, 
*THE RUMI MISSABU PAPERS  a donation this summer to the New York Public Library of Performing Arts @ Lincoln Center of queer memorabilia & ephemera including original photos, prints, tranparencies,  negatives, zines, posters, flyers, cards, letters, proclamations, CDs DVDs & cassettes not available commercially, and the feature-length film *RUMINATIONS from NuReality Productions currently in production about an elusive counterculture seminal cult figure who took a wrong turn, got lost and was too stubborn to ask for directions.
*2015 NYC Fall Tour October 2-11 including performances @ Bureau of General Services-Queer Division 10/3, historic Judson Memorial Church 10/7 & Bizarre Bushwick( date TBA)
Please dig deep and help support each or any of these amazing oppportunities. Your contributions will not go unrewarded. 
Much love.  – Rumi Missabu aka James Bartlett

 I, COCKETTE

 

 

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Must Read Theater Books – Broadway World

Must Read Theater Books – Broadway World

caravan

We have made Broadway World’s list of “Must Read Theater Books”. Click on the link and scroll down. We are number six!!

Broadway World

To purchase click here: Caravan to Oz

 

 

 

 

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A smash hit in Albuquerque – “ANGELS OF LIGHT – The Practically True Story of The Cockettes”

A smash hit in Albuquerque – “ANGELS OF LIGHT – The Practically True Story of The Cockettes”

Only three more performances remaining – hurry, hurry to Albuquerque before they sell out! Our cousin Dale Rose and her family caught the show this weekend and were quite moved by it. Here’s a local review:

Aux Dog Theatre Nob Hill's photo.

TALKIN’ BROADWAY
Albuquerque
Regional Reviews
ANGELS OF LIGHT REVIEW BY DEAN YANNIAS

Angels of Light: The Practically True Story of The Cockettes
The Dolls at Aux Dog Theatre Nob Hill

If you were lucky enough to have been at the opening weekend of Angels of Light: The Practically True Story of The Cockettes, you would have had the privilege of hearing Rumi Missabu, one of the few surviving members of The Cockettes, sing “Stranger in Paradise” from Kismet half in the voice of Alfalfa and half in the voice of Marlene Dietrich, in drag. It’s this kind of absurdist creativity (genius, in a way) that was the hallmark of The Cockettes.

The Cockettes flourished for only a few years, 1969 to 1972, and were sui generis. They are usually called a psychedelic drag troupe, but their fantastic costumes and glittery makeup owe more to Mardi Gras parades than to traditional drag, and there were a few women in the group. They lived communally in San Francisco and performed almost exclusively there, except for a less than successful stint in New York. They were too hot not to cool down, and after a couple years the group broke up for good.

Just by chance, after seeing this show, I saw a Susan Sontag reader sitting among the dozens of unread books at my bedside, and found her famous “Notes on Camp” essay. She says: “The essence of Camp is its love of the unnatural: of artifice and exaggeration. And Camp is esoteric—something of a private code, a badge of identity even, among small urban cliques.” She was in essence defining The Cockettes.

Kenneth Ansloan, who is without doubt one of the most creative people in Albuquerque, has turned the history of The Cockettes into a partly fictional stage play, another world premiere for our town. He not only wrote it but, along with Jessica Osbourne, directs it as well. His way into the story is through an elderly Cockette, Juju (played by Ansloan), reminiscing to a young student (Bryan Andrew Lambe) who is doing research on the group. The student then takes on the role of the young Juju, and we’re transported back to San Francisco in 1970. He soon meets Hibiscus (Garrick Milo), the leader of the Cockettes, otherwise known as George Harris III, who was immortalized in the famous 1967 “Flower Power” photograph as the young man putting a flower into the barrel of a National Guardsman’s rifle. After passing the blow job test, Juju is invited into the commune and becomes a Cockette member. We then follow the group to the climax of their fame, and the deflation that follows.

In all of Ken’s shows, amid the flamboyance and hilarity and raunch (there’s always a dildo somewhere), there are moments of poignancy and pensiveness. Here, they originate from the love story between Juju and Hibiscus, and that’s one of the problems with the script. That love story hardly exists, so when young Juju breaks down in tears or old Juju finds some evidence that Hibiscus really did love him and can finally be at peace, it’s easy to question why this wasn’t demonstrated to us other than by an offhand whisper of “I love you” by Hibiscus as he was flouncing around. There’s dramatic potential here that wasn’t quite realized.

My only other suggestion is to trim the first act a little, since it drags a bit. There is a “Cheech and Chong” stoner dialogue between two minor characters that goes on too long, and a monologue by Candy Darling (A.J. Carian) that could be shortened. Sometimes too much of a good thing is really too much. And for some reason, old Juju sounds British but young Juju, except for a couple lines, sounds totally American.

But these few shortcomings are easily outweighed by the really good things about the show. The story itself is interesting, the spectacle is always entertaining, and the actors are all very good. I’m grateful for the fact that they didn’t lip-sync. There are some excellent performers here, in drag or not, and I would have loved to have heard more singing from Jaime Pardo (who plays Sylvester, the only Cockette to have a well-known solo career) and Jessica Osbourne and Garrick Milo. It’s a pretty big cast that includes Hasani Olujimi, Joshua Ball, Brian Fejer, and Joel Miller.

As in all Dolls shows, the costumes and makeup and wigs are fabulous. Credit goes to Off Broadway, House of Dolls, Korlee Robinson, and Nikolas Hoover. The amazing set, which transforms in seconds from a New York City apartment to a San Francisco commune or a theater dressing room, was built by Tom Epley, Ray Cawley, Ray Francia, Garrick Milo, Heather Epley, and Lauren Epley. The set is beautifully dressed by Dean Squibb and Nina Dorrance, who also did the props (she’s everywhere). Lighting and sound, by John Kupjack and Tom Epley, are excellent.

Whether The Cockettes were a seminal group, or just a one-off, history will judge. But they should not be forgotten, and we can thank Ken Ansloan and all of the Dolls for reminding us that once upon a time, for one brief shining moment …

Angels of Light: The Practically True Story of The Cockettes, written and directed by Kenneth Ansloan, is being presented at the Aux Dog Theatre Nob Hill in Albuquerque. On Monte Vista just north of Central.
Through May 31, 2015. Fridays and Saturdays at 8:00, Sundays at 2:00. Tickets $20. Info at www.auxdog.com or 505-254-7716. Unfortunately, Rumi Missabu was here only for the first weekend.

–Dean Yannias

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Director Marshall W. Mason is inducted into the American Theater Hall of Fame –

Director Marshall W. Mason is inducted into the American Theater Hall of Fame –

Not long after we arrived in the land of off-off-Broadway, we found ourselves in very good company. Marshall directed two of us in world premieres of Lanford Wilson plays in 1965: Dad (George Harris, Sr.) in “This Is The Rill Speaking” at the Caffe Cino; and Walter Michael Harris in “The Sandcastle” at La MaMa. In 1967, Marshall directed an all-star cast that included Jayne Anne Harris in Claris Nelson’s “The Clown” at the Cino. Also that year he invited Walter to reprise his role as Kenny in “The Sandcastle” – a revival that ran first at La MaMa and was extended at the Cino. These shows were rich experiences that helped us grow as artists. Marshall’s example became our gold standard of how a director works effectively with playwrights, actors and designers. He was a class act from Day One, and a pleasure to work with. So it comes as no surprise to us that Marshall is being recognized and honored in this way.

Marshall Marshall.wall:

Here is the text of Marshall’s acceptance speech at the American Theater Hall of Fame “Class of 2014” induction ceremony on May 4th at The Gershwin Theater in New York City:

“I’m so grateful this honor is not being bestowed posthumously.

What a privilege to be inscribed among the names of the great directors of the past: David Belasco, Orson Welles, Tyrone Guthrie, Peter Brook, Garson Kanin, Mike Nichols and, my artistic hero, Elia Kazan.

This reward is for a lifetime of doing what I loved, so I must thank my mentors who guided my path to this moment: Harold Clurman, Lee Strasberg and, especially, Alvina Krause. It would be disingenuous of me not to also mention Mel Gussow.

When I founded Circle Repertory Company, I followed visionary trailblazers like Eva La Gallienne, Margo Jones, Joe Cino, Ellen Stewart and Joe Chaiken.

Enlarging my vision were my inspirations: Tennessee Williams, Francois Truffaut, John Gielgud, Marlon Brando, James Dean, Laurence Olivier, Kim Stanley and Cat Stevens.

Always before me were the examples of enduring creative relationships: Chekhov and Stanislavski, Lindsay and Crouse, Rogers and Hammerstein, Mick Jagger and Keith Richards. Lanford Wilson and I were proud to join that list, with the longest collaboration between a playwright and director in the history of the American Theater. Lance, you’re still here.

This recognition is a celebration of my colleagues: John Lee Beatty, Rob Thirkield, Tanya Berezin, William Hurt, Trish Hawkins, Judd Hirsch, Nancy Snyder, Jonathan Hogan, Swoosie Kurtz, Jeff Daniels, Helen Stenborg, Richard Thomas, Debra Monk, Bill Hoffman, John Bishop, my Stage Managers Margo Channing & Eve Harrington, otherwise known as Fred Reinglas & Denise Yaney, and the amazing company of actors, playwrights and designers who were Circle Rep.

A personal thanks to Rand Mitchell, my Assistant for many productions, who advised me on details I was inclined to overlook, like the high-heeled shoes of my leading ladies. Also to my good neighbor George Atty for kindnesses too numerous to mention. And to my faithful friend, who´s here tonight, my Gal Friday, Saturday, Sunday, Monday, Tuesday Wednesday and Thursday, Glenna Clay.

Always sharing my journey to this peak was mi compañero of 40 years, and mi esposo for the last four, Danny Irvine.

As Ozymandias might warn us, unfortunately being designated an Immortal does not actually impart Immortality. But in my posthumous years, which I hope will be in some distant future when even Wicked will have closed, someone will look at this impressive list (in the South rotunda) and say: “Who was he? He must have been Someone.” Perhaps his companion will answer: “Of course: everyone is someone; but not every Has Been has been someone who is remembered.”

Thanks for remembering me.”

Congratulations, Marshall!

With love from The Harris Family

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If Happy Little Bluebirds Fly Beyond The Rainbow, So Can The Harris Family! – Andrew Martin

If Happy Little Bluebirds Fly Beyond The Rainbow, So Can The Harris Family! – Andrew Martin

caravan

The review below was written by our talented friend performer, writer, radio personality Andrew Martin:

Anyone who has ever availed themselves of the Off-Off-Broadway experience in New York City, whether as a performer, a crew member or simply “one of those little people out there in the dark,” will truly sink their literary teeth into Caravan to Oz, a splendid history of one family’s journey into a most exciting period in the American theater in the Big Apple. Anyone who hasn’t ever availed themselves of the Off-Off-Broadway experience in New York City, whether as a performer, a crew member or simply “one of those little people out there in the dark,” will truly sink their literary teeth into the book all the same. And in any case, this two-hundred-and-seventy page tome laden with stunning photography, emerges as a wondrous history lesson even to those not necessarily theater-oriented. To be succinct, it’s nearly impossible to put down once begun reading. The book bears vague similarities to Edie, the smash recounting of Warhol superstar Edie Sedgwick, except that in this case the story is actually told by the subjects in question, along with additional input by such legends of the Off-Off-Broadway scene and the cultural world at large as Tim Robbins, Bob Heide, Robert Patrick, Crystal Field, Mike Figgis, Mark Lancaster, Ritsaert ten Cate, and the late Ellen Stewart.

The caravan begins its initial drive down life’s highway in the Westchester, New York enclave of Bronxville, where actor-writers George Edgerly Harris II (hereafter referred to as George Sr) and his wife Ann launched a family of six eventual children, namely and in order George Edgerly Harris III (hereafter referred to as G3), Walter Michael Harris, Frederic Joseph Harris, Jayne Ann Harris (today Harris-Kelley), Eloise Alice Harris (today Harris-Damone) and Mary Lucille Harris, hereafter referred to as Mary Lou. After the family relocated to Belleaire, a suburb of Clearwater in Florida, and spent several years there in which all six of the children proved themselves extremely adept at both performance and self-producing various extravaganzas, the family once again headed north and took up residence on the Lower East Side, slowly assimilating themselves into the world of Off-Off-Broadway which had already begun coming into its own ten or more years earlier with the advent of LaMaMa Experimental Theater Company, the Living Theater, and the Caffe Cino. By the late 1960s, Walter Michael (not merely an actor-singer but a very impressive and self-taught musician) had established himself as the youngest original cast member of the hit musical Hair on Broadway, while George Sr took a role in The Great White Hope and subsequently took the show on the road, and mother Ann assumed a featured part in the classic horror film The Honeymoon Killers, alongside Shirley Stoler and Tony LoBianco. G3, meanwhile, trotted off to San Francisco to find his own path and, aside from being reportedly the first person to stick flowers into the gun barrels of the police during the Summer of Love in Haight-Ashbury while living on a commune, also began exploring drag artistry under the name Hibiscus as a founding member of the pioneering troupe The Cockettes. Upon his self-imposed termination in Hair, Walter Michael also ventured to Northern California to join his big brother but opted for a more spiritual path, ultimately becoming a monk of the Holy Order of MANS (although he did eventually return to the theatrical fold after a fashion). Once reborn as the theater company The Angels of Light, the girls of the family along with their mother settled into a happy existence as literally the First Family of Off-Off-Broadway besides appearances on a triumphant tour of several European countries.

The story also has some disturbing twists and turns. Hibiscus ended up as one of the earliest-known victims to succumb to the AIDS crisis. It’s also notable that brother Fred offers no input to the book whatsoever, leaving a reader wondering exactly what his side to the story might be. The Harris Sisters, however, continued to find fame as a trio within the cabaret club spectrum during the 1980s and 1990s (occasionally making appearances with the renowned downtown actor-singer Bobby Reed), and the entire book is interlaced with lyrics written by mother Ann for such shows as The Sheep and the CheapskateThere Is Method In Their Madness, and Sky High. It’s almost a little too much to take in upon just one reading, to realize exactly how incredible this superb family of eight managed to accomplish in one lifetime together. But by the last page, one can’t help but feel a sense of peace, as well as the hope that anything in life is truly possible given the right brand of dedication and talent.

Caravan to Oz is available by ordering here. Do yourselves a favor and grab a copy.

 

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Judith Malina co-founder of The Living Theater dies at 88

Judith Malina co-founder of The Living Theater dies at 88

judith malinaJudith Malina co-founder of The Living Theater died on Friday 10 April.  She and her husband Julian Beck were on the cutting edge of experimental theater from the early ’50’s.  Her presence in the industry will be missed.

New York Times Obituary Judith Malina

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What people are saying about Caravan to Oz – D.S. Ripley

What people are saying about Caravan to Oz – D.S. Ripley
By D. S. Ripley on August 31, 2014
Format: Paperback Verified Purchase

“Caravan to Oz” is the collective story of an irrepressible family with dazzling energy, unbreakable optimism, and unflagging creative spirit. But it isn’t just that: it’s a history of the decades through which the family has lived, persevered and grown, and even helped to shape events, in theatre and in the broader American culture. It can almost be challenging to believe that so many stories – some of which will be familiar to you, some that you will hear for the first time – could come from the experience of a single family. It’s as though George, Sr., Ann, George III, Walter Michael, Fred, Jayne Anne, Eloise and Mary Lou were the love children of Lewis Carroll and L. Frank Baum, midwifed by J. M. Barrie. However, that’s not quite it – there are certainly fabulous and fantastical elements to the story, but they have all worked very hard, all their lives, to turn their magical vision into reality.
And it’s all, or mostly, there, told with humor, love, grace and honesty. From the early “Let’s put on a show!” days in Florida, to the risky transplanting of the whole tribe to New York, to the beginnings of the Theatre for the New City, the family-written and produced shows at La MaMa ETC, the groundbreaking and culture-changing phenomenon of “Hair”, to the founding of the Cockettes in San Francisco, the journeys through Europe, a monastery, and Bay Area communes, to the shattering new reality of the AIDS epidemic and the maturity and mellowing of seasoned performers with an amazing range of talents and accomplishments. They renewed themselves with each success, setback, and new inspiration, began new families and, through it all, retained their devotion to each other. The Harrises were, and are, in and of their times in a way that very few, if any, other families could have been. It’s a remarkable ride through a time that must have looked very different on the inside of the magic mirror, as they were. I found this ride to be enriching as I looked back over the years they describe, and saw those times from a fresh and exhilarating perspective.
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The Questioning of John Rykener production dedicated to the late Marsha P. Johnson

The Questioning of John Rykener production dedicated to the late Marsha P. Johnson

MARSHAPJOHNSON

The Questioning of John Rykener, a new dance & theater attraction concerning a true tale of a cross-dressing male prostitute in 1395 medieval England is coming to The Lesbian, Gay, Bisexual & Transgender Community Center in NYC April 11th, 8pm. The production is dedicated to the memory of trans-activist Marsha P. Johnson and is conceived, directed & narrated by original Cockette Rumi Missabu aka James Bartlett.

“Miss Marsha” P. Johnson embodied the early Gay movement proudly and very LOUDLY.” Marsha was best known in New York City as a gay and transgender rights activist. She was a leader in the 1969 Stonewall Riots that united the LGBT communities to demand an end to police brutality.  When asked what her middle initial “P” meant she replied, “Pay It No Mind” and this became her signature catchphrase. Following the 1992 Gay Pride celebration Miss Marsha was found murdered and her case was never solved.

 

On stage with Hibiscus’ aka George Harris III troupe  Angels of Light (New York), family friend Miss Marsha would be met with standing ovations upon her entrance without ever singing a note or dancing a step. She would inevitably break the fourth wall and start talking to the audience, which whipped them into a frenzied back-and-forth banter leading to another standing ovation. Hibiscus eventually stopped assigning songs and dances to Miss Marsha, because she rarely got to them. Just being Miss Marsha P. Johnson was enough magic to electrify the audience.

 

 The Questioning of John Rykener info: cocketterumi@gmail.com

 

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What people are saying about “Caravan to Oz” – photographer Dan Nicoletta

What people are saying about “Caravan to Oz” – photographer Dan Nicoletta

Angels of LightHibiscus aka George Harris III in “Femme Fatale -The Shocking Pink Life of Jayne Champagne” Photo by Dan Nicoletta c 1976

Talented photographer and friend Dan Nicoletta had this to say about “Caravan to Oz”

3 of 3 people found the following review helpful
5.0 out of 5 stars Caravan To Oz – an essential text on theatre history and LGBT history….,November 8, 2014
This review is from: Caravan to Oz: A family reinvents itself off-off-Broadway (Paperback)
This is a treasure trove of theatre and LGBT history. The legendary Harris Family are a significant vessel for understanding the turbulent social changes of the seminal off off broadway era as well as the west coast independent theatre and film and music scenes of the 60’s through the 80’s. But until now, so much about the family had remained a mystery. Those of us in the know and who appreciated the gravity of their legacy longed for a more in depth remembrance of what actually did occur and who the players were in this legendary family that swirled in and around LaMama Theatre and Cafe Cino and Hibiscus who co-founded the Cockettes as well as The Angels of Light theatre companies. (west and east coast troupes)… and now thankfully we have a definitive primary source text that is lovingly and brilliantly crafted collectively by the surviving family members. The book is chock full of meticulous archival material for the history geek in all of us, but is also a heart wrenching personal remembrance as the latter day Harris’s collectively excavate their whirlwind lives. The book and the family are GOLDEN… a joy to read… tons of amazing pictures… I am completely ferklempt about this one… been waiting a long time for something like this to come along…. Hibiscus was always so sweet to me the few times we met… no wonder… his family is lovely to get to know a little through their wonderful memoir….

 

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