We have made Broadway World’s list of “Must Read Theater Books”. Click on the link and scroll down. We are number six!!
To purchase click here: Caravan to Oz
Our mother Ann M. Harris played Doris Acker in the 1969 cult classic “The Honeymoon Killers” alongside Shirley Soller and Tony Lo Bianco. You will see her at 45 seconds and in the tub at 1:30.
Hibiscus aka George Harris III in “Femme Fatale -The Shocking Pink Life of Jayne Champagne” Photo by Dan Nicoletta c 1976
Talented photographer and friend Dan Nicoletta had this to say about “Caravan to Oz”
Jim Bowers is the creator and curator of “Caped Wonder,” a website whose mission is to honor and celebrate Christopher Reeve’s legacy as an Actor, Humanitarian, Teacher and Family Man; and to honor the directors, filmmakers, writers, cast and crew of the classic Superman movie series.
The following is from his blog:
24 December 2014
Walter Michael Harris, son of George Harris II who portrayed Officer Mooney in Superman-The Movie, along with his mom and sisters, have written a book, Caravan to Oz, about their amazing acting family. Highly recommended! I had the privilege of contributing photos to their book. You can purchase your copy here. Here is their Facebook page and their official website. Be sure to check out Michael’s dedication to his dad on CapedWonder.com here.
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Caravan to Oz is narrated by family members and guests including Oscar-winning actor/director Tim Robbins, theater producers Ellen Stewart, Crystal Field and Ritsaert ten Cate, playwrights Robert Patrick and Robert Heide, filmmakers Scott Morris and Mike Figgis, and educator John Bernhardt. It’s not easy raising six kids in the arts. But the outlier Harrises answer every challenge on their personal yellow brick road with courage and commitment. Their pioneering journey offers something to anyone who is driven by a dream.
By Jayne Anne Harris, Eloise Harris and Mary Lou Harris
Photo by Dan Jansen
(L-R Jayne Anne Harris, Eloise Harris and Mary Lou Harris)
Off-Off Broadway theater was our first home. For two decades, The Harris Sisters (Jayne Anne, Eloise and Mary Lou) and the rest of our family performed in original drama and musicals at New York City’s La Mama ETC., Caffe Cino, Joseph Papp’s New York Shakespeare Festival Public Theater, Theater for the New City, Judson Poets Theater and more. They travelled across Europe with their brother Hibiscus and his Angels of Light Theater troupe. Inspired by the beat of the New York punk and rock scene of the late 1970’s, The Harris Sisters and Trouble (our band), led by brother Fred, included bassist Ray Ploutz, guitarists Bill Davis and Josh Callow and drummers Mike Pedulla and Mike Kimmel, played at CBGB, SNAFU, Great Gildersleeves, The Mudd Club, RT Firefly, Peppermint Lounge and other rock venues of the day.
At the height of the disco era, The Harris Sisters were unable to resist our charismatic brother Hibiscus’ charms in wooing us to form the bejeweled rock and roll group, Hibiscus and the Screaming Violets. We embarked on a new tour of New York City disco clubs such as Studio 54, Xenon, The Ice Palace, Bonds, Danceteria and The Red Parrot. We performed on the same circuit with Madonna, The Weather Girls, Blondie, Nona Hendryx, Grace Jones, Michael Musto and The Must, Billy Idol and Cyndi Lauper. It seemed that we had an all access pass to the greatest musical scene on earth…. Stay tuned for more blogs from The Harris Family…
Read The Harris Sisters’ full story in their new memoir, Caravan to Oz: a family reinvents itself off-off Broadway
By Ann Harris and Walter Michael Harris
Ann: In autumn 1967 Walter was sixteen and attending the High School of Music and Art. A friend of his asked him to play piano for his audition for HAIR. Walter said “yes” and when the audition ended, Tom O’Horgan, the director, asked if he would like to audition too. So Walt did, and got the part. It was a happy day. Walter was the youngest member of the original Broadway cast. HAIR rehearsed at Ukrainian Hall one-half block from our Ninth Street apartment, and opened April 29 the following year.
Walter Michael: My interest in education was waning. Exhausted from so much after-school theater, I was caught between adolescence and adulthood and surrounded by a seismic cultural shift. The youth counterculture movement was forcing the country to reevaluate its values and priorities.
Although busier than ever as a working actor and musician I was unsure of my place in the world. . My year with HAIR (April 1968 – March 1969) yanked me out of my insecurity and self-doubt and thrust me into the vortex of the youth counterculture, political awareness and a cathartic theatrical experience that changed everything.
The company included the co-authors, Gerome Ragni and James Rado, in the lead roles of Berger and Claude. A handful of actors from the initial Public Theater production were held over. New faces included La MaMa players like Jon Kramer and myself; plus amateurs, pros and people off the street. The chemistry between the authors, the composer and band, the cast and designers, our courageous producer Michael Butler and La MaMa director Tom O’Horgan, produced a hit musical that connected with audiences and critics. Clive Barnes, writing for the New York Times, declared that HAIR was “the first Broadway musical in some time to have the authentic voice of today rather than the day before yesterday.”
HAIR was a smash hit. The cast enjoyed delivering and living HAIR’s powerful anti-war message eight times a week, set to Galt MacDermot’s pulsating score. Shows sold out months in advance. After opening night our company knew that HAIR was more than mere entertainment. We believed it was an experience with the potential to end the Vietnam War, unite the planet and usher in the Age of Aquarius.
From the Harris family’s new memoir, Caravan to Oz: a family reinvents itself off-off-Broadway, © 2014.