Tag Archives: public theater

The Harris Sisters – Had an all-access pass to the greatest music scene on earth!

The Harris Sisters – Had an all-access pass to the greatest music scene on earth!

the harris sisters rock and roll

By Jayne Anne Harris, Eloise Harris and Mary Lou Harris

Photo by Dan Jansen

(L-R Jayne Anne Harris, Eloise Harris and Mary Lou Harris)

 Off-Off Broadway theater was our first home. For two decades, The Harris Sisters (Jayne Anne, Eloise and Mary Lou) and the rest of our family performed in original drama and musicals at New York City’s La Mama ETC., Caffe Cino, Joseph Papp’s New York Shakespeare Festival Public Theater, Theater for the New City, Judson Poets Theater and more. They travelled across Europe with their brother Hibiscus and his Angels of Light Theater troupe. 
Inspired by the beat of the New York punk and rock scene of the late 1970’s, The Harris Sisters and Trouble (our band), led by brother Fred, included bassist Ray Ploutz, guitarists Bill Davis and Josh Callow and drummers Mike Pedulla and Mike Kimmel, played at CBGB, SNAFU, Great Gildersleeves, The Mudd Club, RT Firefly, Peppermint Lounge and other rock venues of the day.

At the height of the disco era, The Harris Sisters were unable to resist our charismatic brother Hibiscus’ charms in wooing us to form the bejeweled rock and roll group, Hibiscus and the Screaming Violets. We embarked on a new tour of New York City disco clubs such as Studio 54, Xenon, The Ice Palace, Bonds, Danceteria and The Red Parrot. We performed on the same circuit with Madonna, The Weather Girls, Blondie, Nona Hendryx, Grace Jones, Michael Musto and The Must, Billy Idol and Cyndi Lauper. It seemed that we had an all access pass to the greatest musical scene on earth…. Stay tuned for more blogs from The Harris Family…
Read The Harris Sisters’ full story in their new memoir, Caravan to Oz: a family reinvents itself off-off Broadway


Walter Michael Harris – Youngest Cast Member Of Hair on Broadway

Walter Michael Harris – Youngest Cast Member Of Hair on Broadway

Hair Walter    hair logo

By Ann Harris and Walter Michael Harris

 Ann: In autumn 1967 Walter was sixteen and attending the High School of Music and Art. A friend of his asked him to play piano for his audition for HAIR. Walter said “yes” and when the audition ended, Tom O’Horgan, the director, asked if he would like to audition too. So Walt did, and got the part. It was a happy day. Walter was the youngest member of the original Broadway cast. HAIR rehearsed at Ukrainian Hall one-half block from our Ninth Street apartment, and opened April 29 the following year.

Walter Michael: My interest in education was waning. Exhausted from so much after-school theater, I was caught between adolescence and adulthood and surrounded by a seismic cultural shift. The youth counterculture movement was forcing the country to reevaluate its values and priorities.

Although busier than ever as a working actor and musician I was unsure of my place in the world. . My year with HAIR (April 1968 – March 1969) yanked me out of my insecurity and self-doubt and thrust me into the vortex of the youth counterculture, political awareness and a cathartic theatrical experience that changed everything.

The company included the co-authors, Gerome Ragni and James Rado, in the lead roles of Berger and Claude. A handful of actors from the initial Public Theater production were held over. New faces included La MaMa players like Jon Kramer and myself; plus amateurs, pros and people off the street. The chemistry between the authors, the composer and band, the cast and designers, our courageous producer Michael Butler and La MaMa director Tom O’Horgan, produced a hit musical that connected with audiences and critics. Clive Barnes, writing for the New York Times, declared that HAIR was “the first Broadway musical in some time to have the authentic voice of today rather than the day before yesterday.”

HAIR was a smash hit. The cast enjoyed delivering and living HAIR’s powerful anti-war message eight times a week, set to Galt MacDermot’s pulsating score. Shows sold out months in advance. After opening night our company knew that HAIR was more than mere entertainment. We believed it was an experience with the potential to end the Vietnam War, unite the planet and usher in the Age of Aquarius.

From the Harris family’s new memoir, Caravan to Oz: a family reinvents itself off-off-Broadway, © 2014.


Hair: The American Tribal Love-Rock Musical

Playbill for Hair