The candid pictures and narrations from the Harris siblings is a “how to survive guide” for any hopeful thespian or artist in this new depression era. The memoir answers every question, challenge, and tells it like it is … behind every TV, IMDB film credit or theater credit there is the day job or in the case of The Screaming Violets: Jayne, Eloise, and Mary Lou – a night job at the coat check at Studio 54.
Besides the nail-biting, high risk-taking for the sake of art making there is tragedy ranging from losing Hibiscus to HIV/ AIDS causes (the renowned performance artist and founder of the psychedelic theater troupe The Cockettes) to 9/11 and its effect on the Harris family and their own survival and need for further reinvention.
Caravan to Oz shares the highs and the “do or die” of the artist’s way (… and then some). What is refreshing is that book is full of living and not replete with backstabbing or name dropping of most memoirs. The names that are dropped however throughout the picture packed pages just happen to have graced the lives of Anne, George, Sr. Hibiscus, Walter-Michael, Frederic, Jayne, Eloise, and Mary Lou Harris. A must read for theater enthusiasts, academics or emerging D.I.Y. performers.