On July 14, 2015, T magazine assembled some of the artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s. Happy to say we were a seminal part of that scene among many, many other influential creative people living and no longer with us who do not appear in this photograph or article. Click on the link above the picture to read about the remarkable times.
May 1982 – A nice piece in Michael’s Thing written for George Harris III aka Hibiscus’ fundraiser for medical expenses at Danceteria. Pictured are the Screaming Violets with their band. The top left picture features the cast of Tinseltown Tirades, George’s last show at Theater for the New City. Holly Woodlawn (center) star of that show is now in dire need of funding due to a life threatening illness. Our friend Penny Arcade has set up a GoFundMe page. Please consider donating to Bring Holly Home.
The review below was written by our talented friend performer, writer, radio personality Andrew Martin:
Anyone who has ever availed themselves of the Off-Off-Broadway experience in New York City, whether as a performer, a crew member or simply “one of those little people out there in the dark,” will truly sink their literary teeth into Caravan to Oz, a splendid history of one family’s journey into a most exciting period in the American theater in the Big Apple. Anyone who hasn’t ever availed themselves of the Off-Off-Broadway experience in New York City, whether as a performer, a crew member or simply “one of those little people out there in the dark,” will truly sink their literary teeth into the book all the same. And in any case, this two-hundred-and-seventy page tome laden with stunning photography, emerges as a wondrous history lesson even to those not necessarily theater-oriented. To be succinct, it’s nearly impossible to put down once begun reading. The book bears vague similarities to Edie, the smash recounting of Warhol superstar Edie Sedgwick, except that in this case the story is actually told by the subjects in question, along with additional input by such legends of the Off-Off-Broadway scene and the cultural world at large as Tim Robbins, Bob Heide, Robert Patrick, Crystal Field, Mike Figgis, Mark Lancaster, Ritsaert ten Cate, and the late Ellen Stewart.
The caravan begins its initial drive down life’s highway in the Westchester, New York enclave of Bronxville, where actor-writers George Edgerly Harris II (hereafter referred to as George Sr) and his wife Ann launched a family of six eventual children, namely and in order George Edgerly Harris III (hereafter referred to as G3), Walter Michael Harris, Frederic Joseph Harris, Jayne Ann Harris (today Harris-Kelley), Eloise Alice Harris (today Harris-Damone) and Mary Lucille Harris, hereafter referred to as Mary Lou. After the family relocated to Belleaire, a suburb of Clearwater in Florida, and spent several years there in which all six of the children proved themselves extremely adept at both performance and self-producing various extravaganzas, the family once again headed north and took up residence on the Lower East Side, slowly assimilating themselves into the world of Off-Off-Broadway which had already begun coming into its own ten or more years earlier with the advent of LaMaMa Experimental Theater Company, the Living Theater, and the Caffe Cino. By the late 1960s, Walter Michael (not merely an actor-singer but a very impressive and self-taught musician) had established himself as the youngest original cast member of the hit musical Hair on Broadway, while George Sr took a role in The Great White Hope and subsequently took the show on the road, and mother Ann assumed a featured part in the classic horror film The Honeymoon Killers, alongside Shirley Stoler and Tony LoBianco. G3, meanwhile, trotted off to San Francisco to find his own path and, aside from being reportedly the first person to stick flowers into the gun barrels of the police during the Summer of Love in Haight-Ashbury while living on a commune, also began exploring drag artistry under the name Hibiscus as a founding member of the pioneering troupe The Cockettes. Upon his self-imposed termination in Hair, Walter Michael also ventured to Northern California to join his big brother but opted for a more spiritual path, ultimately becoming a monk of the Holy Order of MANS (although he did eventually return to the theatrical fold after a fashion). Once reborn as the theater company The Angels of Light, the girls of the family along with their mother settled into a happy existence as literally the First Family of Off-Off-Broadway besides appearances on a triumphant tour of several European countries.
The story also has some disturbing twists and turns. Hibiscus ended up as one of the earliest-known victims to succumb to the AIDS crisis. It’s also notable that brother Fred offers no input to the book whatsoever, leaving a reader wondering exactly what his side to the story might be. The Harris Sisters, however, continued to find fame as a trio within the cabaret club spectrum during the 1980s and 1990s (occasionally making appearances with the renowned downtown actor-singer Bobby Reed), and the entire book is interlaced with lyrics written by mother Ann for such shows as The Sheep and the Cheapskate, There Is Method In Their Madness, and Sky High. It’s almost a little too much to take in upon just one reading, to realize exactly how incredible this superb family of eight managed to accomplish in one lifetime together. But by the last page, one can’t help but feel a sense of peace, as well as the hope that anything in life is truly possible given the right brand of dedication and talent.
Caravan to Oz is available by ordering here. Do yourselves a favor and grab a copy.
And it’s all, or mostly, there, told with humor, love, grace and honesty. From the early “Let’s put on a show!” days in Florida, to the risky transplanting of the whole tribe to New York, to the beginnings of the Theatre for the New City, the family-written and produced shows at La MaMa ETC, the groundbreaking and culture-changing phenomenon of “Hair”, to the founding of the Cockettes in San Francisco, the journeys through Europe, a monastery, and Bay Area communes, to the shattering new reality of the AIDS epidemic and the maturity and mellowing of seasoned performers with an amazing range of talents and accomplishments. They renewed themselves with each success, setback, and new inspiration, began new families and, through it all, retained their devotion to each other. The Harrises were, and are, in and of their times in a way that very few, if any, other families could have been. It’s a remarkable ride through a time that must have looked very different on the inside of the magic mirror, as they were. I found this ride to be enriching as I looked back over the years they describe, and saw those times from a fresh and exhilarating perspective.
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Caravan to Oz is narrated by family members and guests including Oscar-winning actor/director Tim Robbins, theater producers Ellen Stewart, Crystal Field and Ritsaert ten Cate, playwrights Robert Patrick and Robert Heide, filmmakers Scott Morris and Mike Figgis, and educator John Bernhardt. It’s not easy raising six kids in the arts. But the outlier Harrises answer every challenge on their personal yellow brick road with courage and commitment. Their pioneering journey offers something to anyone who is driven by a dream.
Photo: Bernie Boston/RIT Archive Collections. Rochester Institute of Technology
On October 21, 1967 – Bernie Boston’s photo of the brave, peace-loving teenager in a turtleneck sweater putting flowers into the gun barrels of military police went far beyond being a runner up for the Pulitzer Prize. This iconic moment became the origin of “Flower Power,” the most popular anti-war catchphrase of the 1960s. Mr. Boston told Alice Ashe of Curio magazine in 2005, “I saw the troops march down into the sea of people, and I was ready for it. One soldier lost his rifle. Another lost his helmet. The rest had their guns pointed out into the crowd, when all of a sudden a young hippie stepped out in front of the action with a bunch of flowers in his left hand. With his right hand he began placing the flowers into the barrels of the soldiers’ guns. ‘He came out of nowhere,’ says Boston, ‘and it took me years to find out who he was . . . his name was Harris.'”
“Harris” was George Harris III, at 18 years of age, whose life’s work was an example of Flower Power and free expression. George went on to rename himself “Hibiscus” and created powerful new forms of theater and political expression around the world. He passed away from AIDS in 1982 at the age of 32. His life story is recounted in ‘Caravan to Oz: a family reinvents itself off-off-Broadway,’ a memoir written by his family. www.caravantooz.com
One of the off off Broadway theaters we grew up and performed in has a great Halloween party every year. If you haven’t experienced Theater for the New City on Halloween, it is worth the trip!!!! Click on the link for more information.