On July 14, 2015, T magazine assembled some of the artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s. Happy to say we were a seminal part of that scene among many, many other influential creative people living and no longer with us who do not appear in this photograph or article. Click on the link above the picture to read about the remarkable times.
Photo: Bernie Boston/RIT Archive Collections. Rochester Institute of Technology
On October 21, 1967 – Bernie Boston’s photo of the brave, peace-loving teenager in a turtleneck sweater putting flowers into the gun barrels of military police went far beyond being a runner up for the Pulitzer Prize. This iconic moment became the origin of “Flower Power,” the most popular anti-war catchphrase of the 1960s. Mr. Boston told Alice Ashe of Curio magazine in 2005, “I saw the troops march down into the sea of people, and I was ready for it. One soldier lost his rifle. Another lost his helmet. The rest had their guns pointed out into the crowd, when all of a sudden a young hippie stepped out in front of the action with a bunch of flowers in his left hand. With his right hand he began placing the flowers into the barrels of the soldiers’ guns. ‘He came out of nowhere,’ says Boston, ‘and it took me years to find out who he was . . . his name was Harris.'”
“Harris” was George Harris III, at 18 years of age, whose life’s work was an example of Flower Power and free expression. George went on to rename himself “Hibiscus” and created powerful new forms of theater and political expression around the world. He passed away from AIDS in 1982 at the age of 32. His life story is recounted in ‘Caravan to Oz: a family reinvents itself off-off-Broadway,’ a memoir written by his family. www.caravantooz.com