On July 14, 2015, T magazine assembled some of the artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s. Happy to say we were a seminal part of that scene among many, many other influential creative people living and no longer with us who do not appear in this photograph or article. Click on the link above the picture to read about the remarkable times.
By Jayne Anne Harris, Eloise Harris and Mary Lou Harris
Photo by Dan Jansen
(L-R Jayne Anne Harris, Eloise Harris and Mary Lou Harris)
Off-Off Broadway theater was our first home. For two decades, The Harris Sisters (Jayne Anne, Eloise and Mary Lou) and the rest of our family performed in original drama and musicals at New York City’s La Mama ETC., Caffe Cino, Joseph Papp’s New York Shakespeare Festival Public Theater, Theater for the New City, Judson Poets Theater and more. They travelled across Europe with their brother Hibiscus and his Angels of Light Theater troupe. Inspired by the beat of the New York punk and rock scene of the late 1970’s, The Harris Sisters and Trouble (our band), led by brother Fred, included bassist Ray Ploutz, guitarists Bill Davis and Josh Callow and drummers Mike Pedulla and Mike Kimmel, played at CBGB, SNAFU, Great Gildersleeves, The Mudd Club, RT Firefly, Peppermint Lounge and other rock venues of the day.
At the height of the disco era, The Harris Sisters were unable to resist our charismatic brother Hibiscus’ charms in wooing us to form the bejeweled rock and roll group, Hibiscus and the Screaming Violets. We embarked on a new tour of New York City disco clubs such as Studio 54, Xenon, The Ice Palace, Bonds, Danceteria and The Red Parrot. We performed on the same circuit with Madonna, The Weather Girls, Blondie, Nona Hendryx, Grace Jones, Michael Musto and The Must, Billy Idol and Cyndi Lauper. It seemed that we had an all access pass to the greatest musical scene on earth…. Stay tuned for more blogs from The Harris Family…
Read The Harris Sisters’ full story in their new memoir, Caravan to Oz: a family reinvents itself off-off Broadway
Photo: Bernie Boston/RIT Archive Collections. Rochester Institute of Technology
On October 21, 1967 – Bernie Boston’s photo of the brave, peace-loving teenager in a turtleneck sweater putting flowers into the gun barrels of military police went far beyond being a runner up for the Pulitzer Prize. This iconic moment became the origin of “Flower Power,” the most popular anti-war catchphrase of the 1960s. Mr. Boston told Alice Ashe of Curio magazine in 2005, “I saw the troops march down into the sea of people, and I was ready for it. One soldier lost his rifle. Another lost his helmet. The rest had their guns pointed out into the crowd, when all of a sudden a young hippie stepped out in front of the action with a bunch of flowers in his left hand. With his right hand he began placing the flowers into the barrels of the soldiers’ guns. ‘He came out of nowhere,’ says Boston, ‘and it took me years to find out who he was . . . his name was Harris.'”
“Harris” was George Harris III, at 18 years of age, whose life’s work was an example of Flower Power and free expression. George went on to rename himself “Hibiscus” and created powerful new forms of theater and political expression around the world. He passed away from AIDS in 1982 at the age of 32. His life story is recounted in ‘Caravan to Oz: a family reinvents itself off-off-Broadway,’ a memoir written by his family. www.caravantooz.com
