Click on the link below to use promo code MMB95WZN in the Create Space Store. Enter it upon check out to save 30 % on a copy of “Caravan to Oz”. It’s a great book for theater lovers. Good until the end of January 2016. Happy Holidays from Eldorado USA Books.
Recently, family friend David Loehr owner/curator of the James Dean Gallery in Fairmount, Indiana posted a “Today Show” link on my Facebook page about a new trend for men – Glitter Beards!
In the late ’60’s early ’70’s, George Harris III aka Hibiscus founder of two gender bending theater troupes The Cockettes and the Angels of Light (San Francisco/New York) regularly glittered his beard for performances and nightlife. Pictured are Hibiscus and his lover Angel Jack.
On July 14, 2015, T magazine assembled some of the artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s. Happy to say we were a seminal part of that scene among many, many other influential creative people living and no longer with us who do not appear in this photograph or article. Click on the link above the picture to read about the remarkable times.
We have made Broadway World’s list of “Must Read Theater Books”. Click on the link and scroll down. We are number six!!
To purchase click here: Caravan to Oz
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May 1982 – A nice piece in Michael’s Thing written for George Harris III aka Hibiscus’ fundraiser for medical expenses at Danceteria. Pictured are the Screaming Violets with their band. The top left picture features the cast of Tinseltown Tirades, George’s last show at Theater for the New City. Holly Woodlawn (center) star of that show is now in dire need of funding due to a life threatening illness. Our friend Penny Arcade has set up a GoFundMe page. Please consider donating to Bring Holly Home.
Our family reunion started at the beach in Ocean Grove, New Jersey and turned into the kickoff of writing our second book about our brother George Harris III aka Hibiscus. Once back in New York City, positive signs from the universe began to appear. A freshly glittered sign at Judson Church (one of our first Off – Off Broadway homes), a fresh Hibiscus flower found at 7AM on an industrial street in Chelsea. In the words of Joe Cino before every show at the Caffe Cino – “It’s magic time.”
Anyone who has ever availed themselves of the Off-Off-Broadway experience in New York City, whether as a performer, a crew member or simply “one of those little people out there in the dark,” will truly sink their literary teeth into Caravan to Oz, a splendid history of one family’s journey into a most exciting period in the American theater in the Big Apple. Anyone who hasn’t ever availed themselves of the Off-Off-Broadway experience in New York City, whether as a performer, a crew member or simply “one of those little people out there in the dark,” will truly sink their literary teeth into the book all the same. And in any case, this two-hundred-and-seventy page tome laden with stunning photography, emerges as a wondrous history lesson even to those not necessarily theater-oriented. To be succinct, it’s nearly impossible to put down once begun reading. The book bears vague similarities to Edie, the smash recounting of Warhol superstar Edie Sedgwick, except that in this case the story is actually told by the subjects in question, along with additional input by such legends of the Off-Off-Broadway scene and the cultural world at large as Tim Robbins, Bob Heide, Robert Patrick, Crystal Field, Mike Figgis, Mark Lancaster, Ritsaert ten Cate, and the late Ellen Stewart.
The caravan begins its initial drive down life’s highway in the Westchester, New York enclave of Bronxville, where actor-writers George Edgerly Harris II (hereafter referred to as George Sr) and his wife Ann launched a family of six eventual children, namely and in order George Edgerly Harris III (hereafter referred to as G3), Walter Michael Harris, Frederic Joseph Harris, Jayne Ann Harris (today Harris-Kelley), Eloise Alice Harris (today Harris-Damone) and Mary Lucille Harris, hereafter referred to as Mary Lou. After the family relocated to Belleaire, a suburb of Clearwater in Florida, and spent several years there in which all six of the children proved themselves extremely adept at both performance and self-producing various extravaganzas, the family once again headed north and took up residence on the Lower East Side, slowly assimilating themselves into the world of Off-Off-Broadway which had already begun coming into its own ten or more years earlier with the advent of LaMaMa Experimental Theater Company, the Living Theater, and the Caffe Cino. By the late 1960s, Walter Michael (not merely an actor-singer but a very impressive and self-taught musician) had established himself as the youngest original cast member of the hit musical Hair on Broadway, while George Sr took a role in The Great White Hope and subsequently took the show on the road, and mother Ann assumed a featured part in the classic horror film The Honeymoon Killers, alongside Shirley Stoler and Tony LoBianco. G3, meanwhile, trotted off to San Francisco to find his own path and, aside from being reportedly the first person to stick flowers into the gun barrels of the police during the Summer of Love in Haight-Ashbury while living on a commune, also began exploring drag artistry under the name Hibiscus as a founding member of the pioneering troupe The Cockettes. Upon his self-imposed termination in Hair, Walter Michael also ventured to Northern California to join his big brother but opted for a more spiritual path, ultimately becoming a monk of the Holy Order of MANS (although he did eventually return to the theatrical fold after a fashion). Once reborn as the theater company The Angels of Light, the girls of the family along with their mother settled into a happy existence as literally the First Family of Off-Off-Broadway besides appearances on a triumphant tour of several European countries.
The story also has some disturbing twists and turns. Hibiscus ended up as one of the earliest-known victims to succumb to the AIDS crisis. It’s also notable that brother Fred offers no input to the book whatsoever, leaving a reader wondering exactly what his side to the story might be. The Harris Sisters, however, continued to find fame as a trio within the cabaret club spectrum during the 1980s and 1990s (occasionally making appearances with the renowned downtown actor-singer Bobby Reed), and the entire book is interlaced with lyrics written by mother Ann for such shows as The Sheep and the Cheapskate, There Is Method In Their Madness, and Sky High. It’s almost a little too much to take in upon just one reading, to realize exactly how incredible this superb family of eight managed to accomplish in one lifetime together. But by the last page, one can’t help but feel a sense of peace, as well as the hope that anything in life is truly possible given the right brand of dedication and talent.
Caravan to Oz is available by ordering here. Do yourselves a favor and grab a copy.
The Questioning of John Rykener, a new dance & theater attraction concerning a true tale of a cross-dressing male prostitute in 1395 medieval England is coming to The Lesbian, Gay, Bisexual & Transgender Community Center in NYC April 11th, 8pm. The production is dedicated to the memory of trans-activist Marsha P. Johnson and is conceived, directed & narrated by original Cockette Rumi Missabu aka James Bartlett.
“Miss Marsha” P. Johnson embodied the early Gay movement proudly and very LOUDLY.” Marsha was best known in New York City as a gay and transgender rights activist. She was a leader in the 1969 Stonewall Riots that united the LGBT communities to demand an end to police brutality. When asked what her middle initial “P” meant she replied, “Pay It No Mind” and this became her signature catchphrase. Following the 1992 Gay Pride celebration Miss Marsha was found murdered and her case was never solved.
On stage with Hibiscus’ aka George Harris III troupe Angels of Light (New York), family friend Miss Marsha would be met with standing ovations upon her entrance without ever singing a note or dancing a step. She would inevitably break the fourth wall and start talking to the audience, which whipped them into a frenzied back-and-forth banter leading to another standing ovation. Hibiscus eventually stopped assigning songs and dances to Miss Marsha, because she rarely got to them. Just being Miss Marsha P. Johnson was enough magic to electrify the audience.
The Questioning of John Rykener info: [email protected]
Hibiscus aka George Harris III in “Femme Fatale -The Shocking Pink Life of Jayne Champagne” Photo by Dan Nicoletta c 1976
Talented photographer and friend Dan Nicoletta had this to say about “Caravan to Oz”
Caravan To Oz – an essential text on theatre history and LGBT history….,November 8, 2014
